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BETTINA BUCK

ANOTHER INTERLUDE [2015]

Bettina Buck’s video work Another Interlude builds on her earlier piece Interlude (2010), where she navigated a pastoral landscape with a large foam block. In Another Interlude, Buck performs a similar act within the galleries of Galleria Nazionale d’Arte Moderna, Rome, shifting from exterior to interior, landscape to architecture, and elemental to managed environments.

The video is accompanied by a gelatin silver print restaging Man Ray’s The Coat-Stand (1920), inspired by Buck’s visit to the GNAM, and a small marble sculpture formerly in her studio. Both works reflect her engagement with context and materiality, appearing in the video as part of her exploration of sculpture.

Buck’s practice emphasized sculpture’s core properties — gravity, weight, and surface — using transient materials like foam, bronze, and cardboard. Her works often highlighted relational dynamics (e.g., with space, spectators, or other works) and binaries such as natural/artificial and absence/presence, reflecting her performative approach to sculpture.

Bettina Buck [born 1974, Cologne] studied at the Academy of Media Arts, Cologne before completing an MA in Fine Art at Goldsmiths College, London. Recent exhibitions include Tutta l’Italia è silenziosa [All of Italy is silent], curated by Davide Ferri and presented across foreign academies, international cultural institutions and embassies in Rome, To Continue. Notes towards A Sculpture Cycle at The Nomas Foundation in Rome and MOTOR: Bettina Buck invites Marie Lund, at Spacex, Exeter. Other recent institutional exhibitions include The Secret Life of Things, at Kai10, Dusseldorf, 2013 and A House of Leaves, The David Roberts Art Foundation, London, 2013.

Another Interlude was performed and filmed 2014 in the frame of A Sculpture Cycle: Coda curated by Cecilia Canziani and Ilaria Gianni, Nomas Foundation in collaboration with Galleria Nazionale d’Arte Moderna, Rome. Filmed by Johannes Maier and Roberto Ferry; edited by Bettina Buck and Sajjad Khatibi.

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